Another sunset photograph taken while doing owl surveys, this one was taken on a clear evening which made for less interesting skies as the previous night but allowed for more predictably progressing, steady light on the ground.
This time of year, my eyes ache for colour after the long winter and the red-osier dogwood shrubs are often the first real glimpses of spring colour as they flush red in the very early spring—even before the snow has melted. In this image, I like how the intense red of the willows in the last, warm rays of sunlight contrast with the cool blues of the aspen saplings that are already in the evening’s shadow.
It’s been a long time since I’ve posted a new photo, and to be honest, it’s been a while since I’ve made any new images. I have been working on re-processing some images into black and white, including this one here.
I love a great B&W photograph, and after listening to this podcast by LensWork editor, Brooks Jensen, I’ve been inspired to figure out for myself what it takes to make a great B&W image, rather than a pretty-good image. And, thanks to the flexibility afforded by capturing and processing digitally, I’ve been going through my image catalogue and giving it a try.
It is unusual to find exposed rock along the shores of the lakes in this part of Alberta, but this beautiful shoreline along Oliver Lake in the Ministik Game Bird Sanctuary just east of Edmonton had several hundred meters of this gorgeous blue-grey stone typical of the Beaver Hills/Cooking Lake moraine landform. Tall reeds and grasses, all dried up by this time, grew from between the stones and above the high water mark there were aspen, birch, and spruce. And then there was this tree—growing near the water in a little clearing.
My timing was just right—all the tree’s leaves had turned to this reddish yellow, with a few fallen to the ground to contrast the colour of the rocks (the next few days were quite windy, stripping most of these leaves for the season). When I first arrived at this spot, the sun was reasonably low in the sky, but the white bark of the birch tree was still reflecting too much light and the contrast was more than my camera could capture. Sometimes, bracketing exposures and combining them to an HDR image for processing can reign in such high-contrast scenes, but in this case a slight breeze was rustling the leaves and grass stems, which makes it very difficult to blend multiple exposures successfully.
Looking to the west however, I noticed that a bank of high stratus clouds rose a few degrees above the horizon in the otherwise perfectly clear sky. Normally, this is bad news if you’re trying to photograph dramatic late-day sidelighting and sunset colours (which I was trying to do). In this case though, I waited until the sun had just dipped behind the thin leading edge of the clouds, causing the light to dim a little and to diffuse ever so slightly—reducing the contrast in the scene, but still lighting the brilliant fall colours. I hurried to capture a few compositions that I’d determined while waiting for the light, and far too quickly—the light was gone. I walked back to the truck as the lacklustre sky simply grew darker with the sun hidden behind the advancing clouds—but I couldn’t possibly have been any happier.
If you’re in the Edmonton area, and haven’t been out enjoying (and photographing) the fall colours this week, I have one word for you—go! I’ll let this photograph speak the thousand words’ encouragement.
I’ve been exploring the south-west corner of Ministik Lake Sanctuary, following game trails along the shore of Oliver Lake and coming across views like this one. This is one of my favourite autumn combinations—yellow aspen & birch, bright dried grasses, all against a blue sky reflected in a still lake, and with just a few dark spruce thrown in for accent. Gorgeous.
I had the pleasure of spending a morning out at Ministik Lake, and what a morning it was. The forecast was for clear skies and the first good overnight frost of the year, with temperatures down to a few degrees above freezing. As the sun rose, light fog rose from the lakes and hung in the still air, frost hung lightly on the understory leaves, and the clear autumn light shone off the first of the birch trees just beginning to change colour—it was exquisite.
I took a great walk through Ministik Lake Game Bird Sanctuary yesterday afternoon—always one of my favourite places to photograph (click here to see why). The weather we’ve had this year has been just right for growing mushrooms (warm days, lots of afternoon showers), and there was a fantastic selection of beautiful species on show. I’ll not write too much, just post a bunch of photos to inspire those of you who—like myself—have both photographic and mycological tendencies, to go out and find some fungi.
Shaggy Mane
Bolete
White Anise-scented Clitocybe
Bracket mushroom
Scaly Hedgehog
Northern Roughstem
Green Russula
Puffball
Tinder Conk
Bracket fungus
Small unidentified mushroom
Amanita mushroom
Branched Hericium
Northern Russula
P.S. My mushroom ID skills are not terrible, but do not take my word that these are what I say they are. Instead, I’d recommend taking the word of Helene M.E. Schalkwijk-Barendsen in her gorgeous book Mushrooms of Northwest North America by local Edmonton publishing company, Lone Pine.
And, on that note, if you think I’ve gotten the ID wrong on any of these or you can be more specific (latin names would be great!) I would really appreciate a note left in the comments.
I’ve recently upgraded my computer to a newer machine capable of processing the beautiful high-definition video files that my 5DmkII can produce. It’s a lot of fun to learn about the whole new world of video capture and editing, and I’m just starting to get a bit of a handle on things.
One thing I’ve been doing recently as a first step into working with video is to make a photograph and a video of the same subject. These are basically still photographs, with motion. What I like about making shots like these is that sometimes, the motion in a scene is an important part of the “essence” of the scene, and now I have a way to try to capture that too.
In this example (compare the video in this post with the still photograph in yesterdays post), I used a long-ish exposure for the still image (1/2 a second) to hint at the movement of the water, but I also captured this short video clip. I tried (somewhat successfully) adding a vignette effect to match the processing of the photograph. What do you think? Is there something additional in the video that’s missing in the still photo? or does the video just add complexity to the image without adding to the “essence”? In any case, it’s fun to experiment with, and that’s the whole point. I hope you enjoy it.
