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Flat light and high-key greys

Fresh snow covers the forest on a cloudy winter day

Min­is­tik shore­line in white

To con­tinue the line of thought from my last entry, another type of com­po­si­tion that I find can work on grey, over­cast win­ter days when the light is per­fectly flat and even is a “high-key” image like this one. If there’s fresh snow, the whole land­scape can turn the same colour – light grey. I find the trick is to ensure that my expo­sure is bumped up a lit­tle bit to turn the greys to white, and to find a lit­tle bit of con­trast (spruce are great for this) for visual inter­est. These very sub­tle, almost monot­one, images really cap­ture the feel­ing of these most-subtle of win­ter days.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

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