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Red-winged Blackbird flock

Red-winged blackbirds perch in the bare branches of early spring near Beaverhill Lake in Alberta

Black­bird flock in bare trees

I recent­ly received a request from a woman to use this pho­to­graph in a blog post she’s writ­ing, which gave me the great excuse to re-vis­it this image and to share it here (it hasn’t made it into the new web­site yet, but watch for it in the Birds sec­tion of my cat­a­logue, hope­ful­ly in the next few months).

I took this pho­to near the Beaver­hill Bird Obser­va­to­ry near Tofield, AB in the spring of 2007. At the time, I was exper­i­ment­ing with defo­cus­ing images, or por­tions there­of, for cre­ative effect. In this case, the orig­i­nal image was most­ly sharp, and I “paint­ed in” the blurred effect in post-pro­cess­ing. I was inspired to try this tech­nique by anoth­er pho­tog­ra­ph­er who would cre­ate the same effect in the dark­room by spilling chem­i­cals over the dry­ing print and using a brush or sponge to blur the image.

It’s always fun to try new tech­niques, and although I haven’t tak­en many defo­cused pho­tographs late­ly, you can view a selec­tion of these images in my “Bore­al Impres­sions” port­fo­lio. I’d also rec­om­mend hav­ing a look at William Neill’s “Impres­sions of Light” port­fo­lio for more great blur­ry images that were an inspi­ra­tion to me (although he achieves the effect most­ly through long shut­ter speeds and cam­era move­ment, rather than man­u­al­ly defo­cus­ing the lens).

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Dried grass calligraphy

A single grass stem with a curled dried leaf casts a calligraphic shadow across a rolling bank of fresh snow

Dried grass cal­lig­ra­phy on fresh snow

Yes­ter­day was a beau­ti­ful, sun­ny win­ter day in Edmon­ton (although a bit too warm—things shouldn’t be melt­ing yet!) and I took the chance to take the snow­shoes (and kid, and dog, and cam­era) out to the Cook­ing Lake-Black­foot Provin­cial Recre­ation Area. I like going into the park from the south end, park­ing at the Islet Lake stag­ing area.

With all the snow we’ve got­ten, the lakeshore topog­ra­phy has been smoothed out to gen­tle undu­la­tions of per­fect, smooth snow. That, com­bined with the low sun this time of year, pro­vides lots of chances for pho­tographs with sim­ple, ele­gant lines and min­i­mal visu­al clut­ter.

Cooking lake post-top snow cones

Cook­ing lake post-top snow cones

(And then there’s this one—pretty much on the oth­er end of the spectrum—using the same basic ele­ments for slap­stick rather than ele­gance… but can you guess which one my daugh­ter pre­ferred?)
A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

More snow on spruce

Fresh snow covers the upper branches of two black spruce trees in the Wagner Natural Area

Fresh snow on two black spruce

Here’s anoth­er pho­to­graph from the same out­ing to Wag­n­er Nat­ur­al Area as my last post. I like how the wispy-ness of the clouds con­trasts the sol­id, high con­trast forms of the snow-cov­ered trees.

These are pret­ty clas­sic Alber­ta win­ter clouds—high, thin, light dif­fus­ing lay­ers with­out much def­i­n­i­tion (see this post that I wrote last win­ter). In this case though, I used a polar­iz­ing fil­ter to dark­en the blue sky show­ing through these thin cir­rus streaks, and that added enough con­trast to show the del­i­cate pat­terns of the cloud.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Snow-laden black spruce

A thick cap of fresh snow covers the top of a thin, sparsely branched, black spruce tree

Snow cap on thin black spruce

After receiv­ing huge amounts of new snow over the past few weeks, we final­ly got a day where the sun man­aged to peak—weakly—through the clouds for a few hours. Since I was already on the west side of town, I decid­ed to head out to the Wag­n­er Nat­ur­al Area where, I hoped, the dense spruce trees cov­ered in deep snow would pro­vide an inter­est­ing pho­to­graph­ic oppor­tu­ni­ty or two.

It was more chal­leng­ing than I expected—the huge amount of snow often looked like just a big pile slumped over every­thing, rather than con­trast­ing or com­pli­ment­ing the forms of the trees. But a chal­lenge can be good fun, and I did get a cou­ple images that I’m quite hap­py with—I’ll share some more over the next lit­tle while.

Non-vignetted version

Non-vignetted

The pro­cess­ing in this one was inspired by an image by a local pho­tog­ra­ph­er who I’ve men­tioned before, Joel Koop. He post­ed an image on his blog that was heav­i­ly vignetted (dark­ened in the cor­ners) in post-processing—and it looked great. I had already processed this one with a lit­tle bit of vignetting, but his image inspired me to try push­ing it a bit fur­ther, and I think I like it this way. What do you think? (I’ve includ­ed the non-vignetted ver­sion here for comparison—use your arrow keys to switch between ver­sions.)
A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Bright sun on Whirlpool Mountain

Whirlpool Mountain catches the bright morning sunlight on a cold clear winter day in Jasper National Park

Bright morn­ing light on Whirlpool Moun­tain

Here’s anoth­er pho­to­graph from my first pho­to-trip of the year in Jasper Nation­al Park. I made this image from along the Ice­fields Park­way, about 20 min­utes south of the town of Jasper. I’m not sure about the name of this peak, but my best guess is that it’s Whirlpool Moun­tain, just south of Mount Edith Cavell and north of Mount Geral­dine (if any­body can confirm/correct this, please leave me a com­ment).

The deep blue of the sky is due most­ly to the use of a polar­iz­ing fil­ter which real­ly brought out the con­trast between the sky, the shad­ows on the moun­tain, and the bright snow-cov­ered faces.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

ASA Forest Show in Hinton">ASA Forest Show in Hinton

The Forest Show

I am real­ly excit­ed that one of the pho­tographs from my “Tal­bot Burn” port­fo­lio has been cho­sen to be a part of the “For­est Show” curat­ed by the Alber­ta Soci­ety of Artists. The exhi­bi­tion is cur­rent­ly mount­ed in the Hin­ton Pub­lic Library (Jan 5–31), and will be mov­ing to the Edson Library (Feb 2–28), the McMullen Gallery in Edmon­ton (open­ing recep­tion on March 24, 7–9 pm), and the Leighton Gallery in Cal­gary (open­ing recep­tion June 4, 2–4 pm). My piece was also select­ed to be one of just a few pieces that will be in a trav­el­ling exhi­bi­tion show­ing through­out Alber­ta until 2013. I hope that you can make it to one of these venues, but if not, you can have look at the image in my “Tal­bot Burn” port­fo­lio (it’s the third image, enti­tled “Tal­bot Fire Val­ley”), or sim­ply click below to view the image full screen.

Fire-blackened spruce tree stems stand in a valley laid bare by forest fire in 2003 in Jasper National Park

Tal­bot fire val­ley


ASA Forest Show in Hinton", posted Jan 14, 2011"> A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Winter Festival Art Market 2011

Deep Freeze Byzantine Winter Festival

Sor­ry for the short notice, I just found out that I’ll have a table at the “Deep Freeze” Arti­san Mar­ket this com­ing week­end. I’m print­ing off a bunch of new, all-win­ter, prints and I’ll have a selec­tion of blank, win­ter-y cards as well. I’ll be there (Old Cycle Build­ing at 9141–118 Ave) from 12–6 pm on both Sat­ur­day and Sun­day (the 8th & 9th). I always appre­ci­ate hav­ing a famil­iar face drop by—Keep warm!