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More snow on spruce

Fresh snow covers the upper branches of two black spruce trees in the Wagner Natural Area

Fresh snow on two black spruce

Here’s anoth­er pho­to­graph from the same out­ing to Wag­n­er Nat­ur­al Area as my last post. I like how the wispy-ness of the clouds con­trasts the sol­id, high con­trast forms of the snow-cov­ered trees.

These are pret­ty clas­sic Alber­ta win­ter clouds—high, thin, light dif­fus­ing lay­ers with­out much def­i­n­i­tion (see this post that I wrote last win­ter). In this case though, I used a polar­iz­ing fil­ter to dark­en the blue sky show­ing through these thin cir­rus streaks, and that added enough con­trast to show the del­i­cate pat­terns of the cloud.

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Snow-laden black spruce

A thick cap of fresh snow covers the top of a thin, sparsely branched, black spruce tree

Snow cap on thin black spruce

After receiv­ing huge amounts of new snow over the past few weeks, we final­ly got a day where the sun man­aged to peak—weakly—through the clouds for a few hours. Since I was already on the west side of town, I decid­ed to head out to the Wag­n­er Nat­ur­al Area where, I hoped, the dense spruce trees cov­ered in deep snow would pro­vide an inter­est­ing pho­to­graph­ic oppor­tu­ni­ty or two.

It was more chal­leng­ing than I expected—the huge amount of snow often looked like just a big pile slumped over every­thing, rather than con­trast­ing or com­pli­ment­ing the forms of the trees. But a chal­lenge can be good fun, and I did get a cou­ple images that I’m quite hap­py with—I’ll share some more over the next lit­tle while.

Non-vignetted version

Non-vignetted

The pro­cess­ing in this one was inspired by an image by a local pho­tog­ra­ph­er who I’ve men­tioned before, Joel Koop. He post­ed an image on his blog that was heav­i­ly vignetted (dark­ened in the cor­ners) in post-processing—and it looked great. I had already processed this one with a lit­tle bit of vignetting, but his image inspired me to try push­ing it a bit fur­ther, and I think I like it this way. What do you think? (I’ve includ­ed the non-vignetted ver­sion here for comparison—use your arrow keys to switch between ver­sions.)
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Bright sun on Whirlpool Mountain

Whirlpool Mountain catches the bright morning sunlight on a cold clear winter day in Jasper National Park

Bright morn­ing light on Whirlpool Moun­tain

Here’s anoth­er pho­to­graph from my first pho­to-trip of the year in Jasper Nation­al Park. I made this image from along the Ice­fields Park­way, about 20 min­utes south of the town of Jasper. I’m not sure about the name of this peak, but my best guess is that it’s Whirlpool Moun­tain, just south of Mount Edith Cavell and north of Mount Geral­dine (if any­body can confirm/correct this, please leave me a com­ment).

The deep blue of the sky is due most­ly to the use of a polar­iz­ing fil­ter which real­ly brought out the con­trast between the sky, the shad­ows on the moun­tain, and the bright snow-cov­ered faces.

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Sunrise on Mount Edith Cavell

The first rays of sunlight illuminate the southeast face of Mount Edith Cavell on a clear winter morning in Jasper National Park

First light on south face of Mount Edith Cavell

Hap­py New Year! After a great trip to the west coast for the hol­i­days, I had the plea­sure of spend­ing my first pho­tog­ra­phy trip of the new year in the heart of the Rocky Mountains—Jasper Nation­al Park. I could hard­ly have asked for a bet­ter way to start the year than to be out there watch­ing the sun come up over fresh­ly snow-blan­ket­ed peaks, and freez­ing my fin­gers on my cam­era. I have a bunch of new pho­tos that I’m excit­ed to share, so check back soon!

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Winter bison at Elk Island Park

Two bison brace against the cold on a winter day at Elk Island National Park

Rest­ing win­ter bison

It’s been a win­try cou­ple of days in the Edmon­ton area, but these bison don’t seem to mind it. I took this pho­to­graph out at Elk Island Park recent­ly, and I love how the fresh snow is just lying on top of the large bison. I had the good for­tune of being able to watch a small herd slow­ly mov­ing along and graz­ing through the snow for about an hour before they moved fur­ther off into the trees.

I made a lot of images of the herd, but I was sur­prised when I got home and could look at the pho­tos large on my com­put­er, how many times there were stray pieces of grass in front their faces—not nec­es­sar­i­ly ruin­ing the shot, but def­i­nite­ly dis­tract­ing. I guess it makes sense—the bison spent almost the entire time graz­ing with their heads just above the ground, and the dried grass was often over half a meter high. It’s just inter­est­ing how, while I was there, my brain could ignore the visu­al dis­trac­tions, but at home, the light yel­low-brown slash­es against the deep, dark brown real­ly stood out. Some­thing to watch for next time…

P.S. I hope you like the “new and improved” larg­er in-post images start­ing with this entry. As always, you can click an image to view it full-screen. Enjoy!

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Birch tree along rocky shore

A small birch tree stands in full autumn colours among the rocks and reeds along the lake shore at the Ministik Game Bird Sanctuary near Edmonton, Alberta.

Paper Birch along rocky Min­is­tik shore­line

It is unusu­al to find exposed rock along the shores of the lakes in this part of Alber­ta, but this beau­ti­ful shore­line along Oliv­er Lake in the Min­is­tik Game Bird Sanc­tu­ary just east of Edmon­ton had sev­er­al hun­dred meters of this gor­geous blue-grey stone typ­i­cal of the Beaver Hills/Cooking Lake moraine land­form. Tall reeds and grass­es, all dried up by this time, grew from between the stones and above the high water mark there were aspen, birch, and spruce. And then there was this tree—growing near the water in a lit­tle clear­ing.

My tim­ing was just right—all the tree’s leaves had turned to this red­dish yel­low, with a few fall­en to the ground to con­trast the colour of the rocks (the next few days were quite windy, strip­ping most of these leaves for the sea­son). When I first arrived at this spot, the sun was rea­son­ably low in the sky, but the white bark of the birch tree was still reflect­ing too much light and the con­trast was more than my cam­era could cap­ture. Some­times, brack­et­ing expo­sures and com­bin­ing them to an HDR image for pro­cess­ing can reign in such high-con­trast scenes, but in this case a slight breeze was rustling the leaves and grass stems, which makes it very dif­fi­cult to blend mul­ti­ple expo­sures suc­cess­ful­ly.

Look­ing to the west how­ev­er, I noticed that a bank of high stra­tus clouds rose a few degrees above the hori­zon in the oth­er­wise per­fect­ly clear sky. Nor­mal­ly, this is bad news if you’re try­ing to pho­to­graph dra­mat­ic late-day side­light­ing and sun­set colours (which I was try­ing to do). In this case though, I wait­ed until the sun had just dipped behind the thin lead­ing edge of the clouds, caus­ing the light to dim a lit­tle and to dif­fuse ever so slightly—reducing the con­trast in the scene, but still light­ing the bril­liant fall colours. I hur­ried to cap­ture a few com­po­si­tions that I’d deter­mined while wait­ing for the light, and far too quickly—the light was gone. I walked back to the truck as the lack­lus­tre sky sim­ply grew dark­er with the sun hid­den behind the advanc­ing clouds—but I couldn’t pos­si­bly have been any hap­pi­er.

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Early autumn sunrise at Ministik

A light fog hangs at sunrise in the yellow foliage of birch leaves just starting to turn to their fall colours

Morn­ing mist and ear­ly autumn birch

I had the plea­sure of spend­ing a morn­ing out at Min­is­tik Lake, and what a morn­ing it was. The fore­cast was for clear skies and the first good overnight frost of the year, with tem­per­a­tures down to a few degrees above freez­ing. As the sun rose, light fog rose from the lakes and hung in the still air, frost hung light­ly on the under­sto­ry leaves, and the clear autumn light shone off the first of the birch trees just begin­ning to change colour—it was exquis­ite.

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