 Boreal fern A good friend of mine, an old BC Parks naturalist, shared with me the following short verse that I am always reminded of when I come across ferns like the ones in this photo:
Fringing the stream at every turn,
Swing lo’ the waving fronds of fern.
From strong cleft and mossy sod,
Pale asters spring, and goldenrod!
It’s a great little rhyme, and the exclamation mark that Al added at the end captures the feeling of coming across one of these little spots just perfectly. Try to get out this weekend, and find one of these for yourself!
 Spruce reflections in Emerson Lake I made this photograph last summer at Emerson Lakes, easily one of the most beautiful campgrounds I’ve stayed at in Alberta. The weekend I was there was perfect for camping, yet we still had the place nearly to ourselves. There are several lakes, all surrounded by steep ridges (unusual for boreal Alberta) with a hiking trail weaving around them. Sundance Provincial Park is nearby with more hiking (to hoodoos!), and even a multi-day backpacking route. I can’t recommend this spot enough if you like quiet, out-of-the-way camping spots.
The detail I like best about this photo is the line angling up and left from just above the shoreline on the right. The line is initially, and most strongly, created by the fallen spruce trunk but in the centre of the frame, the fallen tree becomes hidden but the visual line continues along first one branch and then, more weakly still, another branch. I find that this angled line and its reflection, create a subtle point of interest for the eye to follow through the otherwise very vertical composition.
 Glowing dogwood behind bare aspen saplings Another sunset photograph taken while doing owl surveys, this one was taken on a clear evening which made for less interesting skies as the previous night but allowed for more predictably progressing, steady light on the ground.
This time of year, my eyes ache for colour after the long winter and the red-osier dogwood shrubs are often the first real glimpses of spring colour as they flush red in the very early spring—even before the snow has melted. In this image, I like how the intense red of the willows in the last, warm rays of sunlight contrast with the cool blues of the aspen saplings that are already in the evening’s shadow.
 Three autumn birch It’s been a long time since I’ve posted a new photo, and to be honest, it’s been a while since I’ve made any new images. I have been working on re-processing some images into black and white, including this one here.
I love a great B&W photograph, and after listening to this podcast by LensWork editor, Brooks Jensen, I’ve been inspired to figure out for myself what it takes to make a great B&W image, rather than a pretty-good image. And, thanks to the flexibility afforded by capturing and processing digitally, I’ve been going through my image catalogue and giving it a try.
 Snow cap on thin black spruce After receiving huge amounts of new snow over the past few weeks, we finally got a day where the sun managed to peak—weakly—through the clouds for a few hours. Since I was already on the west side of town, I decided to head out to the Wagner Natural Area where, I hoped, the dense spruce trees covered in deep snow would provide an interesting photographic opportunity or two.
It was more challenging than I expected—the huge amount of snow often looked like just a big pile slumped over everything, rather than contrasting or complimenting the forms of the trees. But a challenge can be good fun, and I did get a couple images that I’m quite happy with—I’ll share some more over the next little while.
 Non-vignetted The processing in this one was inspired by an image by a local photographer who I’ve mentioned before, Joel Koop. He posted an image on his blog that was heavily vignetted (darkened in the corners) in post-processing—and it looked great. I had already processed this one with a little bit of vignetting, but his image inspired me to try pushing it a bit further, and I think I like it this way. What do you think? (I’ve included the non-vignetted version here for comparison—use your arrow keys to switch between versions.)
 Dried Goldenrod leaves with hoar frost Although this photograph was from a little earlier in the season than my last post, it was a similarly frosty, beautiful day. It’s amazing how a lining of frost can add definition and visual interest to an otherwise subdued scene. This is especially true when photographing with the sun behind your subject, the backlighting making the frost shine while the rest of the subject remains shadowed. I also added a fairly heavy vignetting effect while processing this image, to further draw attention to the lines created by the curled, dried goldenrod leaves.
 Frost covered trees on bright winter day It’s been too long since I last posted a new photograph—my apologies. Here is an image I made recently, on a particularly gorgeous afternoon at the Ministik Lake Game Bird Sanctuary just east of Edmonton. All of the trees, shrubs, and even each blade of grass was bearing a thick covering of frost. The sky was perfectly clear and everything was sparkling—it was beautiful (and cold).
When I was processing this photograph, I used the digital equivalent of the technique of placing a red filter in front of the lens to darken the blue sky. This technique (a favourite of Ansel Adams) adds a dramatic look to the sky and making the brightness of the foreground trees stand out even more.
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(Click photos to enlarge)
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