QR Code Business Card

Small boreal waterfall

Small boreal waterfall in feathermoss

Small bore­al water­fall in feath­er­moss

It’s been a busy sum­mer, but I’m slow­ly start­ing to work my way through all the pho­tographs that I made dur­ing my time in Banff and in the bore­al for­est of north-west­ern Alber­ta. This pho­to­graph is of one of my favourite things to come across while walk­ing through the forest—a small creek flow­ing over a lit­tle water­fall. You can usu­al­ly hear them a few steps before you see them and it’s such a peace­ful, relax­ing sound—birds in the back­ground, cool morn­ing breeze in the tops of the spruce—beautiful.

One of the big chal­lenges of pho­tograph­ing in the bore­al is that there is so much detail—understory plants, fall­en leaves, twigs, etc. that it is some­times hard to con­cen­trate the focus of the view­er on the intend­ed sub­ject of the pho­to­graph. In this case, I used a fair­ly heavy vignetting in post-pro­cess­ing to dark­en the detail from the cor­ners and con­cen­trate the atten­tion to the water and moss. I have a port­fo­lio of bore­al pho­tog­ra­phy where I used anoth­er, more exper­i­men­tal tech­nique to achieve the same goal. Click here to have a look at that port­fo­lio.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Raindrop mosaic

Deliberately out of focus, a mosaic of light is created by light glinting through raindrops in a dense boreal forest stand.

Bright morn­ing after rain

I’m slow­ly work­ing my way to a major update/revision of my gal­leries (which, I apol­o­gize, have not been updat­ed in a long time), and part of that process is a ruth­less edit­ing-down of my col­lec­tion to best show­case my favourite images. Unfor­tu­nate­ly, that some­times means leav­ing out ones that I real­ly like, and this image is an exam­ple of that. While it’s cur­rent­ly in my “Sum­mer 2007″ gallery, and I like it at least as well as some of the ones that “made the cut”, it just didn’t fit with the oth­er selec­tions. So, I decid­ed to post in the jour­nal here instead, where hope­ful­ly it can still be enjoyed all on it’s own.

I made this pho­to­graph between Rocky Moun­tain House and Nordegg, Alber­ta in ear­ly June 2007. It had rained heav­i­ly the night before, and the branch­es and lichens in this dense black spruce stand were drip­ping wet as the sun came up. Each drop acts like a tiny prism, catch­ing the light of the low sun. When the lens is de-focused as I did here, each spec­u­lar high­light becomes a glow­ing cir­cle of light, each with a slight­ly dif­fer­ent colour depend­ing on the angle. I know my blur­ry, out-of-focus work is not everyone’s cup of tea, but in this case I think it real­ly made for an inter­est­ing image (I’ve includ­ed a “straight” shot of the same stand below for interest’s sake), and it’s also a great exam­ple of how the optics in a lens can cre­ate effects “in the field” that are unat­tain­able using post-pro­cess­ing soft­ware (i.e. Pho­to­shop). I’d love to hear your reac­tions to this image, just click below…

Bright morn­ing after rain–in focus

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Dried fireweed detail

Even lighting, a close crop, and shallow depth-of-field accentuate the curves of a dried fireweed seedhead

Curves in dried fire­weed

I know it’s odd to call this post “Dried fire­weed detail” when 95% of the pho­to­graph is out of focus. For me how­ev­er, this image cap­tures the essence of the detail—and the depth—of the dried seed pods. The title’s also a bit if a play on words—using “detail” in the sense of a close-up of a por­tion of a larg­er work, like when a small sec­tion of a paint­ing is enlarged in a book to show a painter’s tech­nique, for exam­ple. I real­ly enjoy get­ting in close to a pho­to­graph­ic sub­ject to look for an angle that can cap­ture the greater “whole” of the sub­ject while show­ing only a small por­tion.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

A selection of my favourite landscape photographs from 2009

Sev­er­al of my favourite Alber­ta land­scape pho­tog­ra­phers have been post­ing small gal­leries of their past year’s best land­scape pho­tographs, so I decid­ed to do the same. It was fun to look back through a year’s worth of pho­tos, and impos­si­ble to decide which were my “favourite”. I decid­ed to pick one favourite pho­to from each of the loca­tions in Alber­ta that I reg­u­lar­ly make pho­tographs includ­ing: Jasper Nation­al Park, Water­ton Nation­al Park, and the Ice­fields Park­way in the Rocky Moun­tains; and Min­is­tik Lake Game Bird Sanc­tu­ary, White­mud Ravine, Gold Bar Park, and the Strath­cona Sci­ence Park clos­er to my home in Edmon­ton.

I’ve post­ed all of the pho­tos below as a group (in chrono­log­i­cal order) but I will also cre­ate a sep­a­rate entry for each pho­to to pro­vide extra details about the image like I usu­al­ly do—just click on the link below each pho­to to go to it’s detail page. (It will take me a lit­tle while to get them all up)

I hope you enjoy this small col­lec­tion, and I do always appre­ci­ate it if you leave a com­ment with your thoughts or reac­tion. Hap­py New Year, and I wish you many fine pho­tographs in 2010!

Sun, shadow, fresh snow, and thin cloud on Mount Geraldine along the Icefields Parkway in Alberta, Canada

Moun­tain Geral­dine ridge

Along the Ice­fields Park­way [Click for more details]

A darkening sky on a cold winter day through the bare branches of aspen and poplar trees

Pale win­ter sky through poplar canopy

Min­is­tik Lake (in the win­ter)

Delicate white flowers bloom in front of a background of fern

Chick­weed blooms and fern

Water­ton Nation­al Park

Low clouds loom at dusk over a glassy calm boreal lake

Brood­ing cloud over Min­is­tik Lake

Min­is­tik Lake (in the sum­mer) (I know that’s cheat­ing a lit­tle)

The evening sky is reflected in multiple channels of the Athabasca River in Jasper National Park

Athabas­ca Riv­er island at dusk

Jasper Nation­al Park

Several birch trees stand bare in front of subtle fall colour in the North Saskatchewan River valley

Birch stems and ear­ly autumn colour

Gold­bar Park (North Saskatchewan Riv­er Val­ley)

Frost-covered willow thicket at dawn in the Whitemud Ravine in Edmonton, Alberta

Late autumn wil­low thick­et

White­mud Ravine [Click for more details]

Heavy frost coats young alders saplings during an extreme cold snap in Edmonton, Alberta

Ice fog frozen on alder saplings

Strath­cona Sci­ence Park [Click for more details]
A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Flat light and high-key greys

Fresh snow covers the forest on a cloudy winter day

Min­is­tik shore­line in white

To con­tin­ue the line of thought from my last entry, anoth­er type of com­po­si­tion that I find can work on grey, over­cast win­ter days when the light is per­fect­ly flat and even is a “high-key” image like this one. If there’s fresh snow, the whole land­scape can turn the same colour–light grey. I find the trick is to ensure that my expo­sure is bumped up a lit­tle bit to turn the greys to white, and to find a lit­tle bit of con­trast (spruce are great for this) for visu­al inter­est. These very sub­tle, almost monot­o­ne, images real­ly cap­ture the feel­ing of these most-sub­tle of win­ter days.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Alberta's drying lakes

Tracks along drying channel

Tracks along dry­ing chan­nel

Recent­ly, Dan Jurak, one of my favourite Edmon­ton-area pho­tog­ra­phers and blog­ger, pub­lished an image on his pho­to blog that remind­ed me so strong­ly of this pho­to­graph of mine tak­en this past sum­mer, that at first I thought they could have been tak­en at the same place. It turns out it’s not the same loca­tion, but sim­i­lar com­po­si­tions and sim­i­lar sub­ject matter—Alberta’s lakeshores are turn­ing to mud­flats (and our mud­flats are turn­ing to grass­lands). I took this pho­to at the Min­is­tik Game Bird Sanc­tu­ary, near the loca­tion of the pho­to in anoth­er recent entry of mine, it’s a dif­fer­ent lake, but the same trend. I like the mood­i­ness of this pho­to, with the some­what threat­en­ing sky and the ani­mal foot­prints reced­ing towards the rem­nant lake.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $

Oyster mushroom folds

Oyster mushroom folds

Oys­ter mush­room folds

While sit­ting at the art sale this past week­end a good friend of mine dropped by and asked me to make her a print of this image. It has been a long time since I’d looked at this pho­to­graph, but I’m glad she asked because I’m real­ly enjoy­ing revis­it­ing it. This was one of the largest Oys­ter mush­room clumps that I’ve ever come across. I was employed doing bird sur­veys near Call­ing Lake, AB in the sum­mer of 2004, and it’s one of the best places I’ve been for pho­tograph­ing mush­rooms (and black bears). I like how I was able to fill the frame with the folds and gills of this mush­room, empha­siz­ing the organ­ic shapes and colours. And it smelled absolute­ly ter­rif­ic.

A folio print of this image is for sale for whatever price you think is fair. Enter amount: $