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Frost, depth of field, and details

Frost on eight grass leaves

Frost on eight dried grass leaves

After a heavy frost, even the most sim­ple details can take on an extra­or­di­nary appear­ance. I made this pho­to­graph with a wide open aper­ture, and as close as pos­si­ble to give a real­ly nar­row depth of field. This removes/blurs most of the finest details of the frost and dried grass blades, and con­cen­trates the focus (no pun intend­ed) of the image on the form, the sweep, of the grass. But, to me, the lit­tle bit of frost detail vis­i­ble just along the nar­row plane of focus, gives that extra lit­tle “spark” to the image.

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The advantages of ice fog

Ice fog frozen on alder saplings

Ice fog frozen on alder saplings

Here’s anoth­er pho­to that I took last sat­ur­day dur­ing our cold snap. On real­ly cold days I like to go make pho­tographs at the Strath­cona Sci­ence Provin­cial Park just east of Edmon­ton. Their is a warm water out­flow a lit­tle upstream from the park which keeps the riv­er par­tial­ly open. The mist com­ing from the riv­er coats the banks, and if the sun is out, the effect can be fantastic—and very chilly look­ing.

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It’s Cold

Frozen birch leaf

Frozen birch leaf

That’s “cold” with a cap­i­tal “C”. An arc­tic air front descend­ed on the prairies, send­ing the tem­per­a­ture to extreme lows and send­ing all rea­son­able peo­ple safe­ly indoors—the land­scape pho­tog­ra­phers how­ev­er, grab their cam­eras and head out. I find that when it gets below -30° C you can actu­al­ly see how cold it is. The light is excep­tion­al­ly clear, the frost on the grass­es and shrubs accu­mu­lates and holds on tight, and the air seems to lit­er­al­ly freeze—there is often an ice fog lying low to the ground, pro­vid­ing pho­tog­ra­phers a pale frosty blue/white back­ground. If you’re well dressed, care­ful, and have a spare bat­tery for your cam­era in your warm pock­et (for when the first one freezes), it’s a beau­ti­ful time to be out cap­tur­ing the land­scape in a state that not many peo­ple get to expe­ri­ence.

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Singing ice at Islet Lake

Cold early winter evening at Islet Lake

Cold ear­ly win­ter evening at Islet Lake

Last week I took my cam­era (and my daugh­ter) out to the Cook­ing Lake-Black­foot Nat­ur­al Area, about 30 min east of Edmon­ton, for an after­noon walk while the weath­er was still rel­a­tive­ly mild. There has been just a dust­ing of snow so far this year, so the ice on the lake was bare and exposed to the quick­ly cool­ing air. As the sun moved low­er in the sky and the tem­per­a­ture dropped the ice began to make ter­rif­ic heav­ing, groan­ing and boom­ing sounds. The fre­quen­cy increased until there was near­ly con­stant, resound­ing, echo­ing sound com­ing from the ice. Every­thing else was per­fect­ly still, and the singing of the ice was the per­fect back­ground music while I took this quick photograph–just as the last sun­light made the bare aspen on the far shore glow a warm orange-red, in con­trast to the cool blue of the shad­owed lake ice in the fore­ground.

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Beautiful grey day at Ministik

Receding Ministik shoreline

Reced­ing Min­is­tik shore­line

This pho­to­graph is not brand new (it’s from ear­li­er this win­ter), but I have been work­ing with it recent­ly, and would like to share it here. It had been a while since I’d had the time to hike in to this lake in the Min­is­tik Game Bird Sanc­tu­ary, and it was a shock to see how far the water had reced­ed since I’d last seen it. Not that I was ter­ri­bly surprised–every lake at Min­is­tik (and in most of Alber­ta) is show­ing the effect of the dry years we’ve had. What did sur­prise me was the colour of the mudflats–the pink­ish-red­dish hue in the pho­to is an accu­rate depic­tion (as much as is possible–but that’s anoth­er debate). The grey sky com­ple­ment­ed the mud­flats and dried grass, giv­ing a very sub­tle, sub­dued pal­lette.

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Spectacular sunset over Edmonton

Fiery altostratus sunset

Fiery alto­stra­tus sun­set

This after­noon I went out for a walk at the Cook­ing Lake-Black­foot Provin­cial Recre­ation Area. I spent sev­er­al hours hap­pi­ly walk­ing the Lost Lake/Islet Lake trails in unsea­son­ably warm weath­er, but with a flat, grey lay­er of drab alto­stra­tus cloud over­head. That is to say, there weren’t many good pho­to­graph­ic oppor­tu­ni­ties. As I was dri­ving home, how­ev­er, the sun snuck through a gap in the cloud just above the horizon–with stun­ning effect. I had to pull over to watch the–all too brief–colours spread across near­ly the whole sky, and of course, take some pho­tographs. I find this type of sky can be very hard to get a good expo­sure, where it’s not too dark but the high­lights (espe­cial­ly the yel­lows) aren’t blown out or over-sat­u­rat­ed, leav­ing detail-less areas with­in the wispy strands of cloud. I think this one turned out quite well, and I real­ly like how the pat­tern of the cloud could be eas­i­ly mis­tak­en for fire, which is just what the sky looked like for a few minutes–aflame. I hope you enjoy it too.

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Another photo from Whitemud Ravine

Light frost on aspen sapling

Light frost on aspen sapling

Here’s anoth­er pho­to from my recent ear­ly morn­ing walk at White­mud Ravine. This pho­to is much more mono­chro­mat­ic than the one I post­ed yes­ter­day, and per­haps cap­tures the cold, frosty feel of the morn­ing bet­ter. I made this pho­to­graph per­haps twen­ty min­utes after the last pho­to, but this sapling was shad­ed in behind some large white spruce trees which are vis­i­ble in the back­ground. What do you think? Do you pre­fer this one or the pre­vi­ous, more colour­ful pho­to? I always appre­ci­ate the feed­back, you can just click the “Leave a com­ment” link below–Thanks!

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