 Autumn foliage triptych Here are three photographs of autumn colour in the plants out at Ministik Lake. While processing these images, I played around with de-saturating all the colours except for those of the main subject. This kind of manipulation of the image is outside of the regular “darkroom-style” processing that I usually restrict myself to—but in this case, I really like how it looks. I also added a fairly heavy vignetting effect (the darkening of the corners) to further accentuate the main subject of each image.
With their similarities in colour, subject matter, and processing technique, I found that these three photographs complemented each other when viewed side-by-side. I don’t know the “theory” behind why some images work together as a group, but I do know that sometimes a triptych is definitely greater than the sum of its parts. (Click here to see a couple more of my favourite triptychs). As always, I’d love to hear your thoughts—just leave a comment below.
Click these thumbnails to see a larger vesion of each image individually (use your arrow keys to move between them).
 Morning mist and early autumn birch I had the pleasure of spending a morning out at Ministik Lake, and what a morning it was. The forecast was for clear skies and the first good overnight frost of the year, with temperatures down to a few degrees above freezing. As the sun rose, light fog rose from the lakes and hung in the still air, frost hung lightly on the understory leaves, and the clear autumn light shone off the first of the birch trees just beginning to change colour—it was exquisite.
 Lower Johnston Canyon falls I I had a great time camping and photographing in Banff National Park, and now I’m back in town for a few days and then off again to do some bird surveys in the boreal forest of north-western Alberta.I haven’t had much chance to go through the many photographs I made while there, but I thought I’d quick share this one to tide you over until I get back to posting more regularly.
I took this photograph along the lower section of the gorgeous Johnston Canyon, just a half hour north of the Banff townsite. The path through the canyon is normally packed full of tourists, but I had the pleasure of being there mid-week and early-season, giving me plenty of time (and room) to do some photography. This photo shows the beautiful clear, green colour of the water flowing through the canyon, and gives a feel for the almost claustrophobic closeness of the overhanging rock cliffs.
 Bright morning after rain I’m slowly working my way to a major update/revision of my galleries (which, I apologize, have not been updated in a long time), and part of that process is a ruthless editing-down of my collection to best showcase my favourite images. Unfortunately, that sometimes means leaving out ones that I really like, and this image is an example of that. While it’s currently in my “Summer 2007″ gallery, and I like it at least as well as some of the ones that “made the cut”, it just didn’t fit with the other selections. So, I decided to post in the journal here instead, where hopefully it can still be enjoyed all on it’s own.
I made this photograph between Rocky Mountain House and Nordegg, Alberta in early June 2007. It had rained heavily the night before, and the branches and lichens in this dense black spruce stand were dripping wet as the sun came up. Each drop acts like a tiny prism, catching the light of the low sun. When the lens is de-focused as I did here, each specular highlight becomes a glowing circle of light, each with a slightly different colour depending on the angle. I know my blurry, out-of-focus work is not everyone’s cup of tea, but in this case I think it really made for an interesting image (I’ve included a “straight” shot of the same stand below for interest’s sake), and it’s also a great example of how the optics in a lens can create effects “in the field” that are unattainable using post-processing software (i.e. Photoshop). I’d love to hear your reactions to this image, just click below…
 Bright morning after rain–in focus
 Warm winter colours I took this photograph during a beautiful lunch-time walk through the Whitemud Ravine. Although it was mid-day, because of the season the light was angled low and filtered through a very light haze, giving it a warm tone. It’s unusual to see warm-toned colours much during the winter, but if you catch it just right they can add an interesting mood to an image.
 Mountain Ash berries on bright morning A good friend of mine recently asked if I had a photo of a mountain ash tree, and this one sprang to mine. I took this photo in January 2004, having just traded in my film camera for my first digital SLR camera. I still remember the walk—it was a classic sparkly, crisp, bright Edmonton winter morning. This is one of my best-selling christmas card images, so I thought I’d share it, and wish you all the best for the holidays and in the new year.
 Altocumulus sunrise and willow Here’s another photo that I’ve prepared for the Goldbar craft sale (see previous post for details). I made this exposure in the summer of 2008 while working banding birds at the Beaverhill Bird Observatory near Tofield, AB. I saw many beautiful sunrises that summer, although I didn’t always get the chance to capture them in a photograph.
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(Click photos to enlarge)
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