Sun­rise over Namur Lake

I took this pho­to on my way to work ear­li­er this summer—I just hap­pened to be lucky enough to be com­mut­ing in a heli­copter out to a gor­geous old-growth bore­al mixed­wood site about 100km north-west of Fort McMur­ray to do bird sur­veys for the morn­ing! It was a neat expe­ri­ence to get to spend so much time fly­ing over the bore­al land­scape that I know so well from the ground, and to get a bit of a dif­fer­ent per­spec­tive on things. I’m sure I’ll print and share here a few more pho­tos from my past cou­ple shifts up there.

I notice when I look through my pho­to archives, that my colour palette tends to be rather sub­dued, even som­bre at times. If I then look through the pho­tographs made by oth­er pho­tog­ra­phers that I’ve marked as my favourites, (pri­mar­i­ly on the ter­rif­ic pho­tog­ra­phy-shar­ing web­site 500px.com (here’s my 500px col­lec­tion and my favourites from oth­er 500px pho­tog­ra­phers)) I notice that the over­all impres­sion is very similar—I guess it turns out that’s just what I’m most drawn to… So, for today’s print I decid­ed to choose an image with a bit of colour.

I chose this pho­to in par­tic­u­lar because of the bright, high­ly sat­u­rat­ed orange/red band on the hori­zon. When Light­room 4 was released (the soft­ware I use for 95% of my pro­cess­ing), I’d read about its new soft-proof­ing abil­i­ty (here’s anoth­er good arti­cle as a pdf), but nev­er actu­al­ly used it before. I was pret­ty sure the intense warm colours in this image would be out of gamut for my print­er and paper com­bo that I’m using for this Dai­ly Print project (an Epson 3880 and Can­son Bary­ta Pho­tographique). Sure enough, Light­room was show­ing me clip­ping warn­ings, but with just a lit­tle finess­ing (low­er sat­u­ra­tion and high­lights, increase vibrance and con­trast, tweak tone curve, etc), I got it look­ing good, and not show­ing any clip­ping. I ran the print off, and was quite impressed how close­ly the print matched my mon­i­tor. I’m look­ing for­ward to see­ing the print in the day­light tomor­row…