Here are three photographs of autumn colour in the plants out at Ministik Lake. While processing these images, I played around with de-saturating all the colours except for those of the main subject. This kind of manipulation of the image is outside of the regular “darkroom-style” processing that I usually restrict myself to—but in this case, I really like how it looks. I also added a fairly heavy vignetting effect (the darkening of the corners) to further accentuate the main subject of each image.
With their similarities in colour, subject matter, and processing technique, I found that these three photographs complemented each other when viewed side-by-side. I don’t know the “theory” behind why some images work together as a group, but I do know that sometimes a triptych is definitely greater than the sum of its parts. (Click here to see a couple more of my favourite triptychs). As always, I’d love to hear your thoughts—just leave a comment below.
Click these thumbnails to see a larger vesion of each image individually (use your arrow keys to move between them).